Ebenezer Abernathy and The Sound of Freedom are fired up again! And we’re planning a party on January 9th, 7:30pm at Grace Episcopal Church in Syracuse. It’s a freedom party. You need to be there. We want you there. Your voice and your face need to be there so that you can publicly make yourself accountable by answering the question: What’s your New Year’s Revolution?
And now… the blog…
The shootings in Newtown roused me from a half-slumber I didn’t even know I was in.
This project, The DFR, started with an eye toward using art as a political organizing tool, much in the same way that El Teatro Campesino in the 60s used its physical, comedic style of people’s theater to support Cesar Chavez’s nascent United Farmworkers Union. In my mind, the DFR was going to use the celebration of Syracuse and of local community to invite people into deeper conversations and actions about, among other things: 1) a new, local, 21st century economy, including a reality check about fossil-fuel dependance; 2) resistance to the privatization of public education; 3) the loss of public spaces where people can build relationships and plan collective action across borders of difference and boundaries of distrust; 4) the assault on workers and families; 5) the increasing militarization and corporatization of our democracy; 6) And More!
Both fear and anger fueled this project. But also a sincere belief in the ability (and desire) of human beings to organize on their own behalf, with the power to disrupt and overturn oppressive systems. Of course, the history of social movements tells us this is true. Drawing from Paulo Freire and his many descendants, I subscribed to a politics of hope. I subscribed to a politics of human agency. I understood that oppressive forces are counting on people being too tired, too divided, and too dispirited to come together in common cause. Further, progressive activists, working on so many discrete fronts, and on so many issues, seem always to compete for the time and attention of their natural allies. Rather than working collectively and planning strategically about when to take action on a given issue, all are working on their separate issues, diluting the potential for impact.
Couldn’t we find a way to bring everyone together — under “the big tent” — in a way that inspired, that educated, and that called people to action?
And when I heard the news from Newtown I realized how the act of creating and performing had cooled some of the fire that was this project’s early fuel. In that moment, I felt the relative impotence of what we were doing, despite our modest local presence and effect. What especially pulled me up short was not the actual killings. (That ,of course, is a tragedy that as a father of two young children is hard to wrap my head around.) What pulled me up was the discussion I heard among friends, and even within my own house, about the danger of public spaces, including schools, movie theaters, and places of worship.
Again, it was this assault on the public and on public spaces, so similar to the assault that was happening in Wisconsin that catalyzed DFR. Like Scott Walker’s campaign to strip public employees of collective bargaining rights, this assault was fueled in part by the pathology of capitalism. More outrageously, it was also fueled by the cynical campaign that ties profit derived from the manufacture and sale of automatic assault weapons to the 2nd Amendment. The old rage stirred in me. The feeling that if DFR was to do anything at all, if it was to mean anything at all and be anything more than a fun show, then it had to bring people together It had to invite people to tell stories together, and to see one another. It had to pull people out of their bunkers! It had to be a celebratory counter assault, on fear. It had to stand up, and invite others to stand up — in public — to the very notion that public spaces and public communion were dangerous. Or rather, to affirm that indeed public spaces and public communion are dangerous — for entrenched systems of oppression!
My wish for this new year is that 2013 be the year that the city of Syracuse claims for this generation its legacy as the birthplace of democracy. That 2013 be the year that we write and sing this city’s 21st century song of freedom, with ALL our voices singing together. In different languages and different sounds, but unified in the harmony of our shared humanity.
My New Year’s Revolution is to sing louder, to preach more passionately, and to think more deeply about our shared fates and futures. I promise to love and celebrate this city and all the people living in it. I vow to remember the words of Rosa Parks who told a young activist seeking commiseration about the grind of activism: “If you ain’t tired, you ain’t working hard enough!” (I also promise to take care of my mind, body, and spirit, and to nurture my family and friends, so that I have the support to do all the rest!)
So, like I said: Ebenezer Abernathy and The Sound of Freedom are fired up again! And we’re planning a party on January 9th. It’s a freedom party. You need to be there. We want you there. Your voice and your face need to be there so that you can publicly make yourself accountable by answering the question: What’s your New Year’s Revolution?